I was fixing a Leica M3 in a tiny shop in Portland and a customer's story made me rethink everything
This guy brought in his granddad's M3, said it was used to take photos during a protest in the 60s. He didn't want it cleaned up to look new, he wanted it to just work again, keeping every scratch and dent. I mean, I'm used to making things perfect, you know? Getting all the brassing polished out. But he said the marks were the story. So I did the full CLA, replaced the shutter curtains, but I left the body alone. It changed how I see my job. Now I ask people what the camera's history is before I even open it up. It's not just about making it factory fresh, sometimes it's about keeping the story alive. Has anyone else had a client change their whole approach to a repair like that?
Man that reminds me of a guy who refused to let me replace the worn leather on his old satchel, said the stains were from every country he'd visited lol
Yeah, that "keeping the story alive" part hits home. I had a client who only wanted the lens focus fixed on their old Nikon, said the sticky shutter button was from their dad's grip and they wanted to keep that feel.